The Future of Media Production
Moving Beyond Traditional Networks
Scroll to See Show Video Trailers Below
The Future of Media Production
Moving Beyond Traditional Networks
Scroll to See Show Video Trailers Below
Moving Beyond Traditional Networks
Scroll to See Show Video Trailers Below
Moving Beyond Traditional Networks
Scroll to See Show Video Trailers Below
At the heart of Blockchain Media Network's strategy is the goal of creating and owning an extensive library of intellectual properties (IP), specifically focusing on television shows. This goal is not just about producing content; it's about leveling the playing field in the entertainment industry. The advent of streaming entertainment ha
At the heart of Blockchain Media Network's strategy is the goal of creating and owning an extensive library of intellectual properties (IP), specifically focusing on television shows. This goal is not just about producing content; it's about leveling the playing field in the entertainment industry. The advent of streaming entertainment has made this goal attainable and has broken the choke hold major networks held on the entertainment industry. Traditionally, TV show creators and production companies have been at the mercy of network giants who dictate terms, often leading to a loss of creative control and financial independence for the creators. Blockchain Media Network's strategy is a timely move to leverage the mega-disruption that is happening today in the traditional film distribution model.
The importance of owning IP in the entertainment industry cannot be overstated. Intellectual property, in this context, refers to the ownership rights of creative works, including television shows. These rights are incredibly valuable because they allow the owner to control how the content is used, distributed, and monetized. For a produc
The importance of owning IP in the entertainment industry cannot be overstated. Intellectual property, in this context, refers to the ownership rights of creative works, including television shows. These rights are incredibly valuable because they allow the owner to control how the content is used, distributed, and monetized. For a production company, owning the IP of its shows means retaining creative control and the ability to reap the full financial benefits of its success, rather than merely receiving a one-time payment or limited royalties. By bypassing the networks entirely and maintaining complete ownership of their IPs, our shows go directly to the consumer. This direct-to-consumer model is made viable through streaming services, in particular FAST (free ad-supported streaming television), which has dramatically changed how audiences consume content. Our model aligns with the changing preferences of consumers, who increasingly demand control over what, when, and how they watch TV shows and movies.
The rise of on-demand streaming platforms has broken the monopoly that traditional networks once had on film and television distribution. These platforms have opened up new avenues for content creators to reach audiences directly, without the need for network approval, suppression or interference. The impact of this shift cannot be overs
The rise of on-demand streaming platforms has broken the monopoly that traditional networks once had on film and television distribution. These platforms have opened up new avenues for content creators to reach audiences directly, without the need for network approval, suppression or interference. The impact of this shift cannot be overstated. It represents a democratization of the entertainment industry, where success is determined not by network executives but by the viewers. The convenience and flexibility offered by streaming services cater to consumer preferences, allowing viewers to explore a wider range of content than what is available on traditional TV.
By creating our own branded channel, we can offer unique content directly to viewers, building a loyal audience base and a strong brand identity. This approach also allows for more innovative and diverse content, as we are not bound by network restrictions or traditional TV schedules.
Legendary, Fred Hurt, embarks on his last adventure at the largest, richest, gem-quality sapphire mine in the world. A one of a kind, 4.5-mile long, geological unicorn with reserves in the billions. This show is a tribute to Fred Hurt as the crew picks up the torch and carries on the dream of his last great adventure.
Note: This show is currently in production.
A young woman abandons the corporate rat race, leaving a big-city bank job to explore a simpler life in rural Tennessee – her tiny home, shop and acreage are nicknamed Hillbilly Camp by her new tribe who are funny, larger than life characters that love to drop by and chew the fat. Note: This is a sizzle reel concept for a tv show. Those depicted are representative of the types of people to be cast for the show.
Concept show: Across the world there are billions of dollars in buried treasures; locked in time and unseen by man for decades, centuries or since the dawn of time. Many of these treasures are right outside our back doors, easily accessible to the public and can be searched for on a shoestring budget. Using inexpensive, easily accessible, and sometimes homemade equipment, 6 teams of everyday treasure hunters, with big personalities, unearth fossils, dinosaur bones, gemstones, relics, gold, silver, coins, arrowheads, artifacts, garnets, caches, hoards, antique bottles and more. Note: This is a sizzle reel concept for a tv show. Those depicted are representative of the types of people to be cast for the show.
Concept show: The search for the largest pirate treasure in history. Dive deep into the gripping history of La Buse and his days as a fierce pirate on the Indian Ocean. The show will explore the mystery surrounding the cryptogram and the ties to astrology, masonic symbolism, and Freemasonry. It will follow the treasure hunters as they
discover multiple pirate carvings and track down the many clues
within the cryptogram. The Indian Ocean from the Seychelles Islands to the tip of Madagascar is the center of unrelenting searches and abounds in locked documents, riddles, and engraved signs which all, according to the legend, relate to La Buse’s prodigious treasures. Note: This is a sizzle reel concept for a tv show. Those depicted are representative of the types of people to be cast for the show.
Concept show: Established gold prospector and miner, engages with four teams of experienced gold miners/prospectors who compete against time, geography, and each other to find the most gold in a grueling weekly competition in the middle of the wilderness to win cash, new gold mining equipment, the gold from all teams, and a coveted spot on a private gold claim. Note: This is a sizzle reel concept for a tv show. Those depicted are representative of the types of people to be cast for the show.
Completed show: Re-purposed shipping containers – turned into beautiful homes and unique building projects. See different buyers, with personalities as big as their dreams, work with Container Master, Jim Russell, to bring their unique shipping container dreams to life. Follow them through the build process to the final reveal. Note: This show has been produced and is licensed to Multicom for global distribution.
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